This blog is about the life of the Canadian animation artist Ryan Larkin, using a filming technique that takes the form of a dialogue between the creator and the created, documented in the form of broken figures and perverse sound effects.
The “photo-realist” and “psychological realist” positions of creation, the expression of psychology and emotion in the form of images
A subjective and creative reconstruction of history, reality, culture and psychology by the creative subject on the basis of “factual core” through audio-visual images. So documentary animation, with the development of scientific records and the changing subjective consciousness of people, the world and to the extent that the separation of the animation from the documentary is either impossible, or would render the inherent meaning of the film incomprehensible’ (Honess Roe, 2013: 10)
The methods of creating documentary films have also evolved. But at its core, it is undeniable that the documentary is a form of recording created by man.